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Culture|October 13, 2026|12 min read

Alex Gibney's 'Musk' Has a Unique Perspective on Daddy Issues

In a nearly four-hour documentary, filmmaker Alex Gibney creates a simulated AI Elon Musk using his own words to examine the billionaire's psychology, influence, and the human cost of his actions. Director Gibney discusses interviewing Musk's ex-wife, his father, and other associates to paint a portrait of power, gaslighting, and performative cruelty.

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Alex Gibney's Musk Has a Unique Perspective on Daddy Issues

The first interview undertaken by director Alex Gibney for his documentary on Elon Musk was with Musk's father. "We had Errol Musk at 'hello,'" Gibney recalls. This initial agreement set the stage for a comprehensive exploration of Musk's life and influence, as Gibney ultimately engaged with numerous individuals connected to the billionaire. Notable participants include Musk's first wife, Justine Musk, ex-girlfriend Ashley St. Claire, journalist Kara Swisher, LinkedIn co-founder Reid Hoffman, and WIRED's global editorial director Katie Drummond. The documentary, Musk, is set to release in theaters nationwide on Friday. Securing an interview with Errol Musk, given the complex dynamics of father-son relationships, was particularly significant.

"Everyone else required a great deal of persuasion," Gibney explains. "It was very challenging to encourage people to speak candidly about Musk due to the high risk involved."

With all interviews complete, Gibney crafted a nearly four-hour documentary that includes a 10-minute intermission. It provides a critical examination of the trillionaire CEO, revealing how his genius is often an outcome of his extraordinary talent to curate his own narrative and, correspondingly, the market value of his enterprises.

Notably, Musk declined to give an interview to Gibney. Instead, the team meticulously compiled Musk's public statements, fashioning a simulated version of him that appears throughout the film.

The Simulation as Cinematic Device

Despite the extensive production time of four years for Musk, Elon Musk did not agree to an in-person interview. In lieu of this, Gibney’s team analyzed every publicly accessible comment from Musk and created a simulated interview that runs as a thematic thread throughout the film. This approach aligns with Musk's own propositions regarding living within a simulated reality.

"What were we going to do? He's the main character," Gibney elaborates. "I thought that since he had been so vocal about the concept of a simulation, we should embrace that framework cinematically."

By employing Musk's actual words and audio recordings, the filmmakers could investigate various thematic ideas. "One motivation was to reflect Musk's own beliefs about simulation, while another was to illustrate the ambiguous boundaries between reality and fabrication prevalent in Musk's narrative."

The presentation of the simulated Musk was a thoughtful choice. "You'll observe that he seldom makes eye contact during real interviews. Instead, we constructed this avatar to directly engage with the camera, addressing the viewers directly."

The Aesthetics of Representation

This simulated version of Musk is depicted as more traditionally attractive compared to his real-world counterpart, featuring a defined jawline, sun-kissed skin, and a stylish leather jacket. "I joke about this, but as my leading actor, I want him to look appealing," Gibney remarks. "However, I also felt it would be inappropriate to fall into the trap of shoddy AI visuals, similar to some images circulating among Elon’s fans that intend to undermine him aesthetically."

The creators made strategic selections about which statements the simulated Musk would deliver. "When someone shares their perspective, I seek a counterpoint from Elon. We aimed to identify the most compelling rejoinders he could provide. Over time, the nature of his remarks becomes increasingly extravagant, which reflects a broader thematic evolution."

This creative approach raises important ethical considerations about how one portrays a subject who opted out of participation. Gibney acknowledges this concern: "We are rendering an image within a larger cinematic framework. This imagery is designed to either convey significance or provoke the audience into deeper thought."

Landing Key Interviews

One key takeaway was that nearly all participants required careful consideration before agreeing to appear, partially due to apprehensions about the potential repercussions. The sole exception was Errol Musk, who immediately consented. "It was as if he embodied the sentiment from that famous film: 'You had me at hello,'" Gibney jokes about securing Errol Musk's participation.

Gibney invested over a year in discussions with Justine Musk before she agreed to be interviewed. Likewise, high-profile figures like Reid Hoffman needed considerable convincing. "Engaging individuals was quite a challenge because the risk of honest conversation about Musk was notably high."

Additionally, Gibney consulted influential figures in Silicon Valley off the record. "I found that to be quite troubling. We're dealing with a person holding immense power over us, making it crucial to contribute to the public discourse."

Justine Musk's Revelations

The insights gained from Justine Musk's interview were instrumental. "Her perspective provided profound understanding of his personality that was essential for grasping both his character and the thematic elements of the film."

During the discussion, Gibney inquired about what initially attracted her to Musk in college. "She described his immense confidence as a key factor. Another significant revelation was her experience with gaslighting at the hands of Elon."

A particularly poignant moment in the documentary revolves around the tragic loss of their first child to sudden infant death syndrome (SIDS). Musk had tweeted that he was holding the child at the time of death, whereas Justine clarified that the baby died in her arms. "Reflecting on that moment is deeply moving for me, as it was undoubtedly painful for Elon, as noted in Walter Isaacson's work. However, to seek personal validation in the wake of such a tragedy feels remarkably small and indicative of a 'main character syndrome.'"

The Question of Belief

When prompted about whether Musk genuinely believes his statements or is consciously misleading, Gibney draws from his knowledge of other prominent figures. "I lean towards the former," he states, referencing Sam Harris's concepts of liars versus "bullshitters." "Bullshitters often speak without filtering their thoughts."

Gibney has encountered similar personalities previously, including Elizabeth Holmes and Lance Armstrong. "In the moment, driven by a sense of righteousness regarding one's cause, individuals can feel justified in distorting the truth. Over time, this belief can become so entrenched that, to maintain their confidence, they must convince themselves of the validity of their statements."

The DOGE Documentary

Considerable footage is devoted to Musk's tenure overseeing the Department of Government Efficiency (DOGE), particularly regarding federal workforce reductions. "This initiative did not focus solely on addressing waste, fraud, and abuse. There seemed to be an element of delight and performative cruelty we depicted by portraying DOGE cuts in the context of a first-person shooter game, contrasting it with the serious testimonials from figures like Samantha Power, who discusses the lives lost due to these actions."

Gibney contends that the professed aim of curtailing government waste overshadowed Musk's more self-serving goals: "What he was truly executing was the dismantling of the regulatory state as a major tech magnate."

The documentary also delves into how DOGE operatives accessed unprecedented volumes of federal data. "The DOGE team possessed more access to data than anyone in history. While much attention was commanded by flashy press events, many underlying realities went unnoticed."

A particularly telling deposition occurred when a DOGE operative stated that their priorities revolved around deficit reduction rather than the impacts of mass layoffs. When questioned if they achieved that deficit reduction, the answer was notably no.

Looking Ahead

As midterm elections draw near, Geoffrey Hinton provides a haunting perspective in the film: "It's apparent to me that Trump is intent on corrupting the midterm elections. Should one wish to compromise these elections using AI, acquiring extensive information on US citizens would be essential. The behavior of DOGE aligns with what one might initiate to gather such data."

While Gibney recognizes the speculative nature of these assertions, he expresses significant apprehension about disinformation campaigns. "My primary concern revolves around a potential disinformation initiative, facilitated by Elon Musk, leveraging vast data resources to undermine public confidence in the electoral integrity."

The Cutting Room Floor

The nearly four-hour runtime encapsulates years of various material. Sections Gibney wished to include but were ultimately omitted encompass more extensive insights into the tumult at Twitter and a broader examination of the DOGE operations. The story surrounding the acquisition of SolarCity and an inquiry into Russian influence that failed to yield definitive conclusions were also left on the cutting room floor.

"There were many intriguing details that did not make it into the final film. Perhaps one day, for those of us who are enthusiasts, we will release that content," Gibney muses.

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