Fortune
Ella Langley spent a record 24 weeks at No. 1. Most U.S. music fans didn't know her name—signaling a major cultural shift
The prevailing question across the internet is: How did a country song, performed by an artist who remains largely unknown to many, achieve a record-breaking 24 weeks at No. 1 on the Billboard Hot 100, the longest reign in its 68-year history?
Ella Langley’s "Choosin' Texas" surpassed the previous record of 22 weeks set by Mariah Carey’s iconic holiday hit "All I Want for Christmas Is You." This achievement was noted in the Billboard chart dated October 10, coinciding with the debut of Taylor Swift's "Patient Zero" at the top spot. Notably, Carey’s track has a tendency to reclaim the No. 1 position each December, requiring an additional three weeks atop the chart to retake the record.
Despite Langley’s remarkable achievement, only 24% of U.S. music listeners recognized her name in the second quarter of 2026. These statistics, provided by entertainment data analytics firm Luminate, highlighted a small increase from 13% in the fourth quarter of 2025 and 17% in the first quarter of 2026. While her fame is evidently on the rise, it still remains under one in four listeners.
The phenomenon of a No. 1 hit generating such questions as "Who is she?" brings into focus the evolving concept of cultural monoculture.
Cultural monoculture refers to a shared set of cultural references—songs, television shows, and movies that a majority of people could identify, regardless of personal preference. The term has also acquired a new dimension as critics point out how algorithms and artificial intelligence homogenize culture, resulting in a lack of diversity in content exposure.
Historically, it was simpler to achieve a shared cultural understanding, as most entertainment was accessible through a limited number of television networks, radio stations, and platforms like MTV. Gatekeepers in the industry dictated what content was available to a broad audience. It was unnecessary to be an enthusiast of a certain genre to engage in discussions regarding popular topics.
However, that shared experience was never universally applicable, and fragmentation began long before the advent of TikTok. Personalization now intensifies this division; content visibility is increasingly reliant on algorithms predicting what will engage individual users.
How TikTok's Algorithm Works
For instance, consider TikTok and its highly personalized For You feed. As promoted by the company, "there's no one For You feed."
Have you ever opened the app, viewed a single clip from an Olivia Rodrigo concert, and noticed a surge of related content filling your feed?
TikTok elaborates that its recommendation process considers a myriad of factors, such as user engagement (likes and shares), profiles followed, and whether content is fully viewed. Furthermore, it assesses the details of the videos themselves—their captions, soundtracks, and hashtags. Factors like language preference, geographical location, and device type also contribute, albeit to a lesser degree. This data enables the algorithm to determine which videos deserve your precious attention. TikTok also aims to ensure varied feeds, generally avoiding consecutive videos featuring the same sound or creator.
In the United States, this recommendation system is now supervised by a joint venture backed by Oracle, which assumed control of TikTok's U.S. functions in January and has committed to reworking the recommendation algorithm based on U.S. user data.
The Feedback Loop in Action
As you continue to engage with certain types of content, the algorithm may reinforce this behavior by displaying similar videos. Researchers have documented this feedback loop phenomenon.
A study published in EPJ Data Science in February analyzed TikTok's For You feed through automated accounts programmed with distinct interests. The results indicated that TikTok increasingly promoted videos aligning with these specified interests, with significant reinforcement occurring within the first 200 viewed videos. While maintaining some variety, the amplification of a user’s specific interests led to a reduced exposure to varying hashtags. (This research was conducted in 2024, prior to the transition in TikTok's U.S. ownership.)
This mechanism clarifies why one may feel a particular trend or video is ubiquitous online, while an acquaintance experiences an entirely divergent feed and is perplexed by the discussions surrounding it.
You can also influence content selection through personal preferences. Platforms like TikTok provide options, such as the Manage Topics feature, allowing users to curate the topics they wish to see more or less frequently.
Tracking You Across the Web
Beyond internal app activity, the personalization cues can derive from external sources as well.
In June, Meta announced plans to utilize information shared by other businesses, such as purchase activity on external websites, to enhance user experience across feeds and AI interactions—not limited to advertisements. For instance, if you purchase a tent online, you might encounter more camping-related Reels subsequently. This can be managed through their "activity from other businesses" setting.
The content you consume and your purchasing decisions can significantly shape your unique digital landscape—specifically tailored to you.
The Cost of Personalization
Not all users appreciate this approach. Writer Kyle Chayka, contributing to The New Yorker, has expressed reservations regarding the perceived benefits of such convenience and has extensive articulated these concerns in his book, "Filterworld: How Algorithms Flattened Culture."
"These digital platforms and feeds suggest a shared communal experience...yet in reality, they can be quite atomizing, as it becomes impossible to ascertain what others are viewing in their personal feeds," he remarked in an interview with NPR's Fresh Air in 2024.
He argues that this segregation diminishes the joy associated with art and complicates communal enthusiasm for artistic expressions.
While more intricate algorithms risk trapping us in individualized bubbles, one must consider whether exposing oneself to disinterested content merely for the sake of collective experience is truly appealing. Conversely, if that content never reaches your awareness, how might you ever discover an interest in it?
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