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Culture|April 2, 2026|3 min read

E Street Band Violinist Suki Lahav Dead at 74

Tzruya 'Suki' Lahav, the Israeli violinist who toured with Bruce Springsteen's E Street Band during a pivotal five-month period in 1974-75 and contributed the violin intro to 'Jungleland,' died of cancer on April 1.

#Bruce Springsteen#E Street Band#obituary#musician#violinist#rock music#Born to Run#Jungleland#1970s

E Street Band Violinist Suki Lahav Dead at 74

Tzruya "Suki" Lahav, the Israeli violinist whose brief but significant tenure with Bruce Springsteen's E Street Band helped shape some of the group's most iconic recordings, passed away from cancer on April 1. She was 74 years old.

Lahav's involvement with the E Street Band spanned a crucial five-month period from October 1974 to March 1975, during which she contributed to recording sessions for both The Wild, The Innocent, and the E Street Shuffle and Born to Run, most notably providing the haunting violin introduction to "Jungleland."

Her connection to Springsteen's musical world began in 1972 through her husband, record engineer Louis Lahav, who worked on Greetings From Asbury Park. "We were all young," Suki reflected to the Jerusalem Post in 2007. "Bruce wasn't the big star. Not yet. Just a unique artist."

During the recording sessions for The Wild, The Innocent, and the E Street Shuffle in Blauvet, New York the following year, Lahav unexpectedly found herself performing vocal duties. When a church choir invited to sing on "4th of July, Asbury Park (Sandy)" failed to appear, she stepped into the vocal booth. Through multiple overdubs, she effectively became a one-woman choir, though her contribution went uncredited in the album's liner notes.

Lahav's formal addition to the E Street Band came after drummer Ernest "Boom" Carter and keyboardist David Sancious departed in August 1974 to form the jazz fusion group Tone. Springsteen placed an advertisement in the Village Voice seeking a drummer, pianist, trumpet player, and violinist. Following extensive auditions, he selected drummer Max Weinberg, keyboardist Roy Bittan, and chose to bring Lahav aboard as violinist, initially on a trial basis.

She made her debut with the band on October 4, 1974, at New York City's Avery Fisher Hall. The performance featured an early version of the Born to Run epic "Jungleland," to which Lahav would later contribute her distinctive violin work in the studio recording. "The music was incredible," she told The Jerusalem Post. "The lyrics were so rich; some of the most beautiful lyrics didn't ever make it onto record. Everybody knew that he was going to be this big artist. But we were all poor. Bruce was poor. We were all just completely into this thing."

Among her notable contributions was a stripped-down arrangement of Bob Dylan's "I Want You," which she developed with Springsteen and became a regular concert highlight. Her violin work also featured prominently in live performances of "Incident on 57th Street," particularly during the celebrated February 5, 1975 concert at Philadelphia's Main Point. This performance was broadcast on WMMR-FM and became widely circulated as a bootleg recording. Lahav typically appeared on stage only during songs requiring violin accompaniment, and few photographs from her time with the band have survived.

Her final performance with the E Street Band occurred on March 3, 1975, during a double bill with Orleans at DAR Constitution Hall in Washington, D.C. Later that month, she returned to Israel with her husband, concluding her chapter with Springsteen's organization.

Following her departure from the E Street Band, Lahav established a distinguished career in Israel's cultural landscape. She performed with the Israeli Kibbutz Orchestra, authored two novels, wrote the screenplay for the 1996 crime film Kesher Dam, and composed several successful songs for other Israeli artists, including "Derech Hameshi" performed by Yehudit Rav.

Lahav's brief but impactful contribution to rock history remains a testament to the collaborative spirit that defined Springsteen's early work and the diverse musical influences that shaped the E Street Band's signature sound.

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